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2013年12月30日星期一

[介紹 長篇小說] 雙身

董啟章的「 雙身亅...  不是一般通俗胡扯的奇情小說,也不是一般 GID 性別淆亂的變身描述...

... 確是用了男主角一夜情後發現自己變了女身的俗落無聊的橋段為始... 但往後描述自我男身、女身的混淆、適應、理解, 卻似祇有擁有男女雙身心思的 TS 性情人才會明瞭欣賞的故事、心思...

作者用了很混亂的我、你與第三者(童年回憶)的角度與前後時空不接的故事段落去描述主角與旁人的關係、進展,  第一次看時不易明瞭,  但已建樹了那般昏眩、迷失、無助的感受...

... 作者適應了性別認同倒錯者獨特的人稱倒錯,一口氣在這篇小說中使用了三種人稱,使讀者頻頻跟著改變視角──也跟著改變性別認同,相當有效地一窺生理性別與心理性別又矛盾又統一,既緊張對立又渾乎一體的世界。陳映真(知名小說家) : 序)


... 我彷彿意識到我有兩個生命, 一個前生一個今生: 或許該說, 有一個生命, 兩個身體, 一個前身一個今身...

故事中用妹妹作為主角逐漸回覆記憶認清自我的橋樑、仲介, 但兩者也越來越似是孿生的姐妹... 從冷淡的哥哥變成可憐惜的姐姐, 而至共同孌生般的生活, 是故事的主軸, 或是變身時極度需要的親人或親友的支柱的描述, 但也有點畸異不甚能理解的故事的線索...

很美很曖昧的描述:

... 很多個晚上, 我們拿著水杯, 關掉電燈, 在窗前聽彼比喝水的聲音。妳說妳開始懂得自己的身體, 並且慢喜歡它, 妳正學習聆聽它的說話,了它的信息。 在幽微的月照中妳仔细端詳自己, 專注的眼神中充滿愉悦和自足。 在這眼神中我看見自己的影子,仔细端詳自己, 臉上掛著愉悦自足的笑意。 。在那裡,我們的目光相遇、重疊,我看見妳如同妳看見我如同我們看見自己。在觀點的契合中們超越了身體的限制,讓我進入妳的體內如同妳潛進了我。
姊姊,我們是孿生的雙身,相同而又不一樣。

著實, 不是變性人、TS 、才會敏自我性別在身軀中的不同與協調, 一個普通(沒有性障礙的人, 沒有外來的刺激, 也不會仔细地去瞭解自己性別的徵狀、美妙...

但願我也能有如此通達、共同患難的姊姊或妹妹,  TS 之路或者會有不同的際遇结果... 但人生的經是無可控制、無從捉摸, 就如忽然醒来變成女身地不可思議...

這本書幾年前在網上看過幾個段落, 最近才找到作者董啟章 2010 聯經重版的作品集珍藏經典版, 得窺全貌, 極度尊重推薦, 有 TS TG 或 CD 心思的讀者應該會有不同的感應體驗...




http://www.books.com.tw/exep/prod/booksfile.php?item=0010474055




雙身(作品集珍藏經典版)
·        作者:董啟章
·        出版社:聯經出版公司
·        出版日期:2010年07月01日
·        語言:繁體中文 ISBN:9789570836400
·        裝訂:平裝
·        定價:280



內容簡介top
  忘了村上春樹 忘了卡爾維諾 忘了卡夫卡 忘了艾可
  這是董啟章的「雙身」時代
  半世紀以來的香港文學奇才 各項文學大獎 好書獎得主
  《雙身》開創雙性寫作、雌雄同體、性別越界的寫作巔峰、最震撼的主題
  華文文學必讀經典之作,影響未來的重要長篇小說
  網路搜尋點擊率最高的熱門話題小說
  全新打字珍藏經典版,書腰雙面∕書籤精美設計,世紀典藏
  如果他和你,妳和她,但是妳,所以我
  故事就從這一天說起……
  如果一個男人有一天早上醒來,發現自己變成一個女人,那將會發生怎樣的事情?
  香港男子林山原,某天在日本起床後發現自己擁有女性的身體,卻失去記憶,他焦慮地想明白自己變成女身的真正原因。一路尋來,曲折細膩的情節,神祕而吸引人……於是「他」追尋到關鍵所在地,即貓眼咖啡店與一名神祕女子池淵真知子,回溯自身關於性別與愛欲的往事。
  於是,一場關於性別、身分、認同、血緣的故事,開始說起……
得獎紀錄
  1995年第十七屆聯合報文學獎長篇小說特別獎
作者簡介
董啟章
  1967年生於香港。香港大學比較文學系碩士,現專事寫作及兼職教學。1997年獲第一屆香港藝術發展局文學獎新秀獎,1994年以〈安卓珍尼〉獲第八屆聯合文學小說新人獎中篇小說首獎,同時以〈少年神農〉獲第八屆聯合文學小說新人獎短篇小說推薦獎,1995年以《雙身》獲聯合報文學獎長篇小說特別獎。2005年《天工開物.栩栩如真》出版後,榮獲中國時報開卷好書獎十大好書中文創作類、亞洲週刊中文十大好書、誠品好讀雜誌年度之最∕最佳封面設計、聯合報讀書人最佳書獎文學類。2006年《天工開物.栩栩如真》入選香港電台、康樂及文化事務署「十本好書20周年──我最喜愛的十本好書」其他推薦好書,以及第一屆「紅樓夢獎:世界華文長篇小說獎」決審團獎。2008年再以《時間繁史.啞瓷之光》獲第二屆紅樓夢獎決審團獎。2009年獲頒香港藝術發展局藝術發展獎2007/2008年度最佳藝術家獎(文學藝術)。


詳細資料top

2009年10月2日星期五

The Lost Symbol

發 Dan Brown 熱, 乘熱買了剛上市的 The Lost Symbol, 二天看完...

仍是 DaVinci Code 般的結構人物描述, 詭異的鬼符 symbolism 配上現代美國背景, 格外奇特誘引, 秘密組織是Freemason (共濟會), 仍然是宗教科學間的互動, 結局卻趨向於天人合一的 enlightenment, 別有其對"上天" God 的見解...

"忠"的除主角外加了 CIA, "奸"人Mal'akh 仍是一貫地自殘, 這次更自閹, 有東方不敗葵花寶典的味道了... 描述得引經據典地確切震撼, 祇能抄原文原汁去欣賞 (給有自殘意念的姐妹從另一角度參照
... ):


Ch 71 (pp268-269)
... He stood naked before the mirror and admired his form ... perhaps the last time he would see himself as a mere mortal.
His feet were talons of a hawk. His legs - Boaz and Jachin - were the ancient pillars of wisdom. His hips and abdomen were the archways of mystical power. Hanging beneath the archway, his massive sex organ bore the tattooed symbols of his destiny. In another life, this heavy shaft of flesh had been his source of carnal pleasure. But no longer.
I have been purified.
Like the mystical eunuch monks of Katharoi, Mal'akh had removed his testicles. He had sacrificed his physical potency for a more worthy one. Gods have no gender. Having shed the human imperfection of gender along with the earthly pull of sexual temptation, Mal'akh had become like Ouranos, Attis, Sporus, and the great castrati magicians of Arthurian legend. Every spiritual metamorphosis is preceded by a physical one. Such was the lesson of all the great gods... from Osiris, to Tammuz, to Jesus, to Siva, to the Buddha himself.
I must shed the man who clothes me.
Abruptly, Mal'akh drew his gaze upward, past the double-headed phoenix on his chest, past the collage of ancient sigils adorning his face, and directly to the top of his head. He tipped his head toward the mirror, barely able to see the circle of bare flesh that waited there. This location on the body was sacred. Known as the fontanel, it was the one area of the human skull that remained open at birth. An oculus to the brain. Although this physiological portal closes within a matter of months, it remains a symbolic vestige of the lost connection between the outer and inner worlds.
Mal'akh studied the sacred patch of virginal skin, which was enclosed by the crownlike circle of an ouroboros - a mystical snake devouring its own tail. The bare flesh seemed to stare back at him ... bright with promise.

Ch 86 (pp324-325)
...
Transformation requires sacrifice.
Like many of history's most spiritually evolved men, Mal'akh had committed to his path by making the noblest of flesh sacrifices. Castration had been less painful than he had imagined. And, he had learned, far more common. Every year, thousands of men underwent surgical gelding --- orchiectomy, as the process was known --- thier motivations ranging from transgender issues, to curbing sexual addictions, to deep-seated spiritual beliefs. For Mal'akh, the reasons were of the highest nature. Like the mythological self-castrated Attis, Mal'akh knew that achieving immortality required a clean break with the material world of male and female.
The androgyne is one.
Nowadays eunuchs were shunned, although the ancients understood the inherent power of this transmutational sacrifice. Even the early Christians had heard Jesus Himself extol its virtues in Matthew 19:12: "there are those who have made themselves eunuchs for the sake of the kingdom of heaven. He who is able to accept this, let him accept it."
...
In order to create, I must destroy.
Such was the nature of polarity.
...